Thursday, June 13, 2019

Rhetoric-in-Practice (RIP) Assignment (Movie review of The Hunger Essay

Rhetoric-in-Practice (RIP) Assignment (Movie review of The ache Games) - Essay ExampleWithin District 12, the heroine in the film Katniss Everdeen (Jennifer Lawrence) volunteers to undertake part in the Games in place of her younger sister. Katniss special way of changing the world may appear small scale and accidental however, towards the abolish Katniss appears to have changed her own world. In the event that Katniss is to return home to District 12, she confronts impossible choices (Egan 2). She should weigh her survival against the wellbeing of humanity and her life against love. PHOTO VIA HUNGERGAMES.COM The Hunger Games is a satirical sci-fi film that manages to confront and rail against the pitfalls of materialism, greed, and economic inequality via its world building and costuming. The narrative intentionally rejects to employ a subtle approaching to political criticism, as it utilizes traditional satirical techniques such as visual exaggeration, hyperbole, and contrast t o de resilientr its message. The world of Panem, representing a futuristic America, is introduced pleasingly in roughly 90 seconds. First, the film introduces two men in discussion about an event called The Hunger Games in front of an audience the region of Panem is categorized into haves and have-nots, where the haves live within the Capitol (categorized by wealth and power) while the poor reside in a collection of impoverished districts suffering under the oppressive rule later an unsuccessful uprising (Seife 5). Possibly, the biggest achievement of The Hunger Games is the fact that it succeeds in adapting a successful teen novel to a film. This is d wholeness spectacularly to the extent that one does not need to read the novel prior to entering the cinema so as to get it. When a serious novel has sold millions of copies as is the case of Suzanne Collins trilogy, the default position would be producing something that will resemble what the readers imagined however, The Hunger Ga mes has been dissected, enlarged, and retooled into a piece that is intelligent, powerful, and immersive. This world is filled with cruelty and the film theatre director does not shy away from confronting it. The violence and cruelty are most apparent within the Hunger Games arena, an extensive synthetic forest where 24 children black market one another, and the degree of brutality is well articulated. Ross successfully cuts around the violence in the film to get an appropriate rating for a teenage audience. The heroine in the film, Katniss Everdeen (Jennifer Lawrence), has little time for being wistful since she has to survive. Katniss is a teenage survivalist within a post-apocalyptic representation of a familiar American myth. This runs throughout the film found on the premise of what survival is worth (Gresh 4). There is no doubt that Lawrence is as ideal as Katniss given her melancholic determination. The production values in the film are ample, if not generous. The soundtra ck represents a blend of regional and atmospheric flavors, although enhanced musical propulsion might have aided to juice up the film. Throughout the film, it is apparent that Mr. Ross, the director of this unnerving story, has mastered the heart-skipping pulse of the story and turned it into a thrilling and smart film through a outrage technique with propulsive energy. The utilization of CGI technology superbly complements design to generate space of the film, and visually represents a variety of the themes in the film. There is an air of credibleness owing to an

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